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Showing posts with label ray winstone. Show all posts
Showing posts with label ray winstone. Show all posts
Friday, 22 July 2022
Critical Week: Mask up
The weather in the UK has broken all records, unbearably hot temperatures for a nation that has so little air conditioning. Thankfully, I was able to escape to cool theatres and cinemas! And the warm weather is continuing, so I'll be on the look out for ways to avoid the sweatiness. Films this past week included the Austen-style period romance Mr Malcolm's List starring Freida Pinto and Sope Dirisu. It's engaging but feels very gimmicky. And then there was Paws of Fury: The Legend of Hank, a surprising remake of Blazing Saddles as an animated kid-friendly romp set in feudal Japan. It's silly fun, perhaps too messy for children, but fans of the original will enjoy the references, including Mel Brooks voicing a new take on his original role.
A little further afield is the British historical drama Prizefighter, about 1800 boxing champ Jem Belcher. It's simplistic, but is boosted by having Russell Crowe and Ray Winstone in key roles. Katie Holmes writes, directs and stars in the pandemic romance Alone Together, which is warm and engaging, and also predictable. The comedy-drama The Shuroo Retreat, follows a journalist to a wacky self-help weekend, with results that are funny and remarkably complex. The British romantic drama You Are My Sunshine is clearly a labour of love by inexperienced actors and filmmakers. It's awkward but has its moments. And there were two more selections of shorts in the Girls Feels series: Forces of Nature and Skin Deep, taking bold, insightful looks at young women coming of age.Films to watch this coming week include the animated adventure DC League of Super-Pets, Juliette Binoche in Both Sides of the Blade, Will Poulter in The Score, Billy Porter's comedy-drama Anything's Possible and the horror thriller Hypochondriac.
Thursday, 30 August 2018
Wednesday, 1 February 2017
Critical Week: Don't throw in the towel
Press screenings are still a bit thin in London, mainly because we saw most current releases at film festivals in the autumn. One new entry was the British movie Jawbone, starring Johnny Harris and Michael Smiley (above), along with Ray Winstone and Ian McShane. It's a remarkably thoughtful boxing drama with a proper emotional kick. The German drama Jonathan centres on a teen caring for his dying father and finally discovering why there's a rift in his family. It's also thoughtful and moving, and beautifully filmed. From Israel via London, Who's Gonna Love Me Now? is a startlingly honest documentary that meaningfully grapples with themes involving family, sexuality and life purpose. And I had a chance to revisit the 1969 classic Easy Rider, with sharply restored imagery and sound. A remarkably loose movie that has a lot to say about American culture, plus terrific performances from the young Peter Fonda, Dennis Hopper and Jack Nicholson. Finally, I also caught up with a TV series being released on video in the UK this week...
Feral
dir-scr Morgan Jon Fox
with Jordan Nichols, Seth Daniel Rabinowitz, Jacob Rickert, Leah Beth Bolton, Ryan Masson, Chase Brother
16/US Dekkoo 1h56 ***
There's an artistic sensibility to this web series that makes it worth a look, as creator Morgan Jon Fox uses swirling photography and non-linear editing to follow the emotional lives of his characters rather than create coherent plotlines. The problem is that this leaves everything feeling a bit thin and wispy, as events and characters are undefined even though they are going through some big emotions. The premise centres on two young artists in Memphis: Billy (Nichols) has an inexpressive boyfriend (Masson) with depression issues, while Daniel (Rabinowitz) wants to run off to the big city. They get a new housemate (Rickert) and have some personal crises, but while a lot happens to them, the filmmaking approach is so loose and mopey that there isn't much proper emotional impact. Frankly, the title of this series is a mystery. The relationships are written, never quite lived-in or believable, and only vaguely sexy. And some of the writing and acting isn't terribly convincing. But it looks great, the cast is likeable and the idea is clever enough to sustain itself through eight brief episodes.
Films coming up this week include The Lego Batman Movie and the acclaimed British drama Lady Macbeth. I'm also getting ready for a trip to Los Angeles to visit my family and friends - I'll be there for both Bafta and Oscar, as it happens. Watch this space...
Feraldir-scr Morgan Jon Fox
with Jordan Nichols, Seth Daniel Rabinowitz, Jacob Rickert, Leah Beth Bolton, Ryan Masson, Chase Brother
16/US Dekkoo 1h56 ***
There's an artistic sensibility to this web series that makes it worth a look, as creator Morgan Jon Fox uses swirling photography and non-linear editing to follow the emotional lives of his characters rather than create coherent plotlines. The problem is that this leaves everything feeling a bit thin and wispy, as events and characters are undefined even though they are going through some big emotions. The premise centres on two young artists in Memphis: Billy (Nichols) has an inexpressive boyfriend (Masson) with depression issues, while Daniel (Rabinowitz) wants to run off to the big city. They get a new housemate (Rickert) and have some personal crises, but while a lot happens to them, the filmmaking approach is so loose and mopey that there isn't much proper emotional impact. Frankly, the title of this series is a mystery. The relationships are written, never quite lived-in or believable, and only vaguely sexy. And some of the writing and acting isn't terribly convincing. But it looks great, the cast is likeable and the idea is clever enough to sustain itself through eight brief episodes.
Films coming up this week include The Lego Batman Movie and the acclaimed British drama Lady Macbeth. I'm also getting ready for a trip to Los Angeles to visit my family and friends - I'll be there for both Bafta and Oscar, as it happens. Watch this space...
Wednesday, 22 August 2012
Critical Week: Oscar bait
It's that time of year when we start to get a look at those films that are most likely to catch the eye of Oscar voters. Joe Wright's Anna Karenina certainly qualifies, with its epic love story plot and lavish costumes, sets and production design. Critics are just getting a first look at the film in advance of its premiere at the Toronto Film Festival in a week or so. A new trailer also gave us a glimpse of Hyde Park on Hudson, which frankly looks like The King's Speech II as it follows King George and Queen Elizabeth (Sam West and Olivia Colman) to America for an encounter with Franklin and Eleanor Roosevelt (Bill Murray and Olivia Williams).
Critics are also seeing David Ayer's End of Watch, a gritty point-of-view thriller about two good cops (Jake Gyllenhaal and Michael Peña) in Los Angeles - yes, good cops, a departure for Ayer. Len Wiseman's action-packed Total Recall remake stars Colin Farrell, who is easily the best thing about this film. There are two gritty East End crime dramas: The Sweeney, based on the iconic TV series, stars Ray Winstone and Ben Drew as members of London's elite crime-fighting squad. while Twenty8k stars Parminder Nagra as a lawyer trying to clear her brother's name from two drug-related murder charges.
More highbrow fare was provided in the astounding documentary Five Broken Cameras, through which we see life on the wrong side of the Israel-Palestine border through the eyes of a perceptive, camera-wielding journalist. And it was great to revisit Francis Coppola's newly remastered 1983 drama Rumble Fish, starring the very young Matt Dillon, Mickey Rourke (Shadows award winner that year!) and Nicolas Cage.
This coming week includes a long weekend here in Britain, so the pickings are a little slim. We have the American indie The Myth of the American Sleepover, the French comedy-drama Untouchable (aka The Intouchables), Guy Madden's latest film Keyhole, the space-station thriller Love, the Queen concert film Hungarian Rhapsody and the fan-fave doc Room 237, about the lasting legacy of Kubrick's The Shining.
Critics are also seeing David Ayer's End of Watch, a gritty point-of-view thriller about two good cops (Jake Gyllenhaal and Michael Peña) in Los Angeles - yes, good cops, a departure for Ayer. Len Wiseman's action-packed Total Recall remake stars Colin Farrell, who is easily the best thing about this film. There are two gritty East End crime dramas: The Sweeney, based on the iconic TV series, stars Ray Winstone and Ben Drew as members of London's elite crime-fighting squad. while Twenty8k stars Parminder Nagra as a lawyer trying to clear her brother's name from two drug-related murder charges.
More highbrow fare was provided in the astounding documentary Five Broken Cameras, through which we see life on the wrong side of the Israel-Palestine border through the eyes of a perceptive, camera-wielding journalist. And it was great to revisit Francis Coppola's newly remastered 1983 drama Rumble Fish, starring the very young Matt Dillon, Mickey Rourke (Shadows award winner that year!) and Nicolas Cage.
This coming week includes a long weekend here in Britain, so the pickings are a little slim. We have the American indie The Myth of the American Sleepover, the French comedy-drama Untouchable (aka The Intouchables), Guy Madden's latest film Keyhole, the space-station thriller Love, the Queen concert film Hungarian Rhapsody and the fan-fave doc Room 237, about the lasting legacy of Kubrick's The Shining.
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