BFI Flare: Take back the streets

The 37th edition of the British Film Institute's Flare: London LGBTQIA+ Film Festival kicked off last night at BFI Southbank in defiance of the government-caused strike that shut down the entire Tube network. This is one of the largest and most important film festivals in the UK, and its influence goes global as a celebration of the very best films tackling queer topics. It's also one of my favourite festivals, because the Southbank becomes party central for 10 days. We all love reconnecting our "Flare friends" each year - a particularly great bunch of people. And it's also a rare festival that still has filmmakers mixing in with the audience. Here are some highlights for the first couple of days (with my usual Critical Week down below)...

The Stroll
dir Zackary Drucker, Kristen Lovell; with Kristen Lovell, Ceyenne, Carey 23/US ****
Documenting a specific period in the New York queer scene, this film has a sense of urgency about it that's impossible to escape. These are the stories of real people who transcended their circumstances to make a huge impact on society, and yet they're still battling against hateful bigotry. Filmmaker Kristen Lovell bravely puts her life on the screen, adeptly codirecting with the gifted Zackary Drucker, revealing the humanity of transgender sex workers who are still seeking basic human rights.

Egghead & Twinkie
dir-scr Sarah Kambe Holland; with Louis Tomeo, Sabrina Jie-a-fa 23/US ****
Colourfully augmented with eye-catching animation, this lively teen road trip comedy is bright and funny, and it has a strongly pointed edge as well. Writer-director Holland includes such personal details that this must be an autobiographical story. The characters have remarkably authentic layers to them. And while the film is aimed at a young audience, it says a lot about the complexities of figuring out who you are and finding your way in a world where you feel like a social oddball.

Three Nights a Week [Trois Nuits par Semaine]
dir Florent Gouelou; with Pablo Pauly, Romain Eck 22/Fr ***.
Beautifully shot with lush light and colour, this French drama spins around a warm, offbeat relationship that catches two people, and their friends, by surprise. The drawn-out narrative plays like a gay fantasy, as that cute guy isn't as straight as he thinks he is. So the plot sometimes feels over-deliberate. But honest feelings run through each scene. And director Florent Gouelou isn't afraid to lean into a feel-good moment... FULL REVIEW >

1946: The Mistranslation That Shifted Culture
dir Sharon "Rocky" Roggio; with Kathy Baldock, Ed Oxford 22/US ***.
Aimed at viewers who know their way around the Bible, this documentary features people who take Christianity seriously as they take on a hot potato topic: looking into what the Bible actually says about homosexuality. Using scholarly research, the film finds proof of mistranslations that have led to misunderstandings, extensive abuse and ruptured relationships. And filmmaker Sharon Roggio is grappling with this topic in a way that's remarkably personal... FULL REVIEW >

FROM THE ARCHIVES
Strip Jack Naked: Nighthawks II
dir Ron Peck; with Ron Peck, Nick Bolton 91/UK ****.
Not actually a sequel, this is an experimental making-of doc that also serves as a detailed autobiography of the filmmaker. It's telling, provocative and extremely personal, and has its own important place in film history. Peck assembles the material in a kaleidoscopic way, framed with images of men in an editing suite looking at clips from 1978's Nighthawks, including scenes from the fundraising pilot and extensive footage that was cut out of the film... FULL REVIEW >

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C R I T I C A L  W E E K

Movies to watch this week included the star-packed 80 for Brady, which is sustained by the powerful wattage of Jane Fonda, Lily Tomlin, Rita Moreno and Sally Field, despite an odd, unfunny script. The superhero sequel Shazam! Fury of the Gods abandons the brightly funny original's tone for more dour grey-hued effects-based mayhem, which seems like a silly mistake (see also the recent Ant-Man sequel). Pinball: The Man Who Saved the Game is an engaging biopic that distracts the audience with far too much geek-out detail about the origins and importance (!) of pinball. Rye Lane is one of the best British romantic comedies in recent memory, original and very funny, with charming leads and terrific South London locations. And I of course had to check out Andrea Riseborough's Oscar nominated performance in To Leslie. She's great, the film's ok.

This coming week I'll mainly be watching films that are part of BFI Flare, plus Keanu Reeves back for John Wick Chapter 4, Florence Pugh in A Good Person, the Italian drama The Eight Mountains, the true-life Spanish thriller The Beasts and the doc Kubrick by Kubrick. And I also have a couple of theatre press nights (reviews here soon).

Critical Week: Shape your reality

HAPPY CHRISTMAS! My special gift today was a positive covid test, despite being triple-jabbed and always wearing a mask, so I'll be isolating through the holidays this year. This won't be much of a change from the past few weeks - but I'll miss being able to meet people in person for a week or so. And I don't have another in-cinema screening until January 5th, so I'll keep watching things at home on screener links. 

This past week, the bigger films I watched included The Matrix Resurrections, a 20-years-later sequel that has some enjoyably brain-bending nonsense in it and a refreshing refusal to take itself seriously. Keanu Reeves and Carrie-Anne Moss are superb, plus the always watchable Yahya Abdul-Mateen II, Jonathan Groff, Neil Patrick Harris, Jessica Henwick and several returnees.  Paul Thomas Anderson's latest is freeform comedy Licorice Pizza, an enjoyably loose slice of 1970s nostalgia starring Cooper Hoffman (son of Philip Seymour) and Alana Haim (of the pop group). Plus starry scene-stealers like Bradley Cooper and Sean Penn.

BEST OUT THIS WEEK:
Parallel Mothers • Sing 2
The Matrix Resurrections
ALL REVIEWS >

Smaller movies included the unsettling, atmospheric British horror Amulet, actor Romola Garai's writing-directing feature debut. The Worst Person in the World is a wonderfully complex drama from Norway following a young woman (the superb Renate Reinsve) over four years as she tries to find herself. From Austria, Great Freedom is a stunning prison drama that traces the lingering legacy of a cruel Nazi law outlawing homosexuality. And the autobiobraphical odyssey HipBeat is a bit preachy but makes some nice observations along the way.

I also caught up with a couple of movies for fun. The hugely entertaining doc Rita Moreno: Just a Girl Who Decided to Go for It traces the astonishing career and personal life of the iconic actress who's still going strong at 90. And the Christmas comedy Single All the Way is an enjoyably silly holiday romance with an above average cast including Michael Urie, Kathy Najimy and Jennifer Coolidge.

And this coming week, as I am in forced isolation, I'll be catching up with a few more awards contenders, including I'm Your Man, The Summit of the Gods, Mandibles and Writing With Fire. And I have a few links to watch as well for films coming out soon, including the thriller Borrego and the shorts collection The Last Days of Innocence.

Critical Week: I feel pretty

This is the final week before my first ballots are due in this year's awards cycle. I vote in three sets of film awards - London Critics, The Dorian Awards, Online Critics - and it can be tricky to make sure I'm voting for the right movie that's eligible for the right award. Even more difficult is seeing movies that are major contenders when the distributors simply refuse to show them to us. And I still have gaps among this year's titles (haven't yet had a chance to see Licorice Pizza or Don't Look Up, for example). 

BEST OUT THIS WEEK:
Lamb • Being the Ricardos
West Side Story • I Am Syd Stone
ALL REVIEWS >

But I did catch up with three big ones this week: Steven Spielberg's dazzling remake of West Side Story is worth catching on the biggest screen possible, with its explosion of fantastic dance choreography, iconic songs and a hugely moving story. Guillermo del Toro's remake of Nightmare Alley has a powerhouse cast (including Bradley Cooper, Cate Blanchett, Toni Collette and Rooney Mara) and is a hyper-stylish mystery noir. And Peter Dinklage has the title role in a musical remake of Cyrano, spectacularly directed by Joe Wright with a strong emotional kick.

Slightly more adventurous films include Todd Stephens' Swan Song, which stars Udo Kier as a retired stylist who rediscovers his fabulous self; the creepy and blackly witty Icelandic drama Lamb, starring Noomi Rapace; the ambitious, provocative and rather scattershot journalism comedy-drama France, starring Lea Seydoux; and the sensitive Swiss-Turkish drama Beyto. I also had Peter Duncan's riotously entertaining filmed pantomime Cinderella and another excellent collection of shorts in The French Boys 2.

Over the next week, I'll continue to catch up with movies big and small, including Tom Holland in Spider-Man: No Way Home, Harris Dickinson in The King's Man, Mahershala Ali in another movie called Swan Song, Tate Donovan in Wild About Harry, the Belgian drama Lola and the Sea, the Turkish drama Not Knowing and the animated adventure Summit of the Gods.