Critical Week: Eavesdropping

During our second short work week in a row, there were once again fewer press screenings than usual. But I still kept busy, and caught several things. Most notable perhaps is last year's acclaimed Belgian drama Julie Keeps Quiet, a powerfully well-observed film about a teen girl (Tessa Van den Broeck, above) navigating a very tricky situation. On a much larger scale, Ben Affleck is back with the action sequel The Accountant 2, which features more sparky sibling banter between the autistic finance/battle savant and his live-wire brother (Jon Bernthal). It's a lot of fun, even more engaging this time around, and still preposterous.

BEST OUT THIS WEEK:
Treading Water • Julie Keeps Quiet
Wind, Tide & Oar
ALL REVIEWS >

Lily Collias is excellent in Good One, a relaxed drama about a teen girl on a hiking trip with her dad (James Le Gros). It's a stunner of a film from first-time feature writer-director India Donaldson. David Mamet is back with the talky but intriguing drama, Henry Johnson, starring Evan Jonigkeit as a young lawyer who has a series of very pointed conversations with various men as his life goes off the rails. Christopher Abbott has lots of internal angst in the moody, mopey drama Swimming Home, beautifully filmed in Greek locations. Sandra Huller has fun in the engaging but overlong German caper comedy-drama Two to One, based on a true story set in newly post-communist East Berlin. I also attended a big-screen preview of Apple's new adventure/conservationist series The Wild Ones, and am now looking forward to further episodes in the summer. And I saw the stage shows Snow White: The Sacrifice at Sadler's Wells and Neil LaBute's How to Fight Loneliness at the Park.

This coming week, I'll be watching Florence Pugh and Sebastian Stan in Thunderbolts, Blake Lively and Anna Kendrick in Another Simple Favour, Nicolas Cage in The Surfer, Jack Lowden in Tornado, Charlie Tahan in Things Like This, Karim Ainouz's Motel Destino and Paolo Sorrentino's Parthenope.

Critical Week: Everybody wants to rule the world

While the television is covered with major sporting events at the moment, the gloomy weather is driving people into the cinemas. And there are plenty of things worth seeing. As usual, I'm a bit ahead of the pack on many of the films I saw this week. But I never heard about a press screening for Despicable Me 4, so I bought a ticket and was happy to find it the best in the franchise so far. It's still fast and blissfully nutty, but there's a smart edge to it this time. I also caught the British animated adventure Kensuke's Kingdom, based on the beloved Michael Morpugo novel about a young boy stranded on an almost deserted island. It's beautifully designed and well-written.

BEST OUT THIS WEEK:
Sisi & I • Problemista
Despicable Me 4
Fly Me to the Moon
ALL REVIEWS >

In live-action, there was Scarlett Johansson and Channing Tatum subtly falling for each other in the Apollo 11 comedy-drama Fly Me to the Moon, which is colourful and very charming. Jacques Audiard's new film Emilia Perez won multiple prizes at Cannes, notably for the staggering central performances in a bold, moving story about violence and transformation. Sandra Huller is as terrific as always in Sisi & I, as the handmaiden to the Austrian empress; the film is witty, inventive and involving. The Korean horror Sleep begins as a sharply well-made light drama about sleep-walking before turning genuinely freaky. And from Iran, My Favourite Cake is a warm and hugely involving late-in-life romance with a big emotional kick. On stage, I attended the opening cabaret of this month's London Clown Festival at Soho Theatre and Dorian: The Musical at Southwark Playhouse.

This coming week I'll be watching Glen Powell in Twisters, Saoirse Ronan in The Outrun, June Squibb in Thelma and the British drama Chuck Chuck Baby, plus two stage shows: National Youth Dance Company at Sadler's Wells and more of Jack Tucker at Soho Theatre.

The Best of 2023: 43rd Shadows Awards

The year-end ritual is complete, as I compile my lists of the best of the year. This post is merely a preview - there is so much more on the website if you dare! Meanwhile, my voting continues in various awards (Golden Globes, London Critics, Online Critics, Galeca Dorian Awards), bearing only passing resemblance to these lists due to eligibility rules. And I'll add my usual Critical Week note below...

BEST FILM:

1. All of Us Strangers (Andrew Haigh)
2. Past Lives (Celine Song)
3. Joyland (Saim Sadiq)
4. Poor Things (Yorgos Lanthimos)
5. Reality (Tina Satter)
6. Anatomy of a Fall (Justine Triet)
7. The First Slam Dunk (Takehiko Inoue)
8. The Zone of Interest (Jonathan Glazer)
9. Killers of the Flower Moon (Martin Scorsese)
10. Barbie (Greta Gerwig)

DIRECTOR:

1. Celine Song - Past Lives
2. Tina Satter - Reality
3. Andrew Haigh - All of Us Strangers
4. Jonathan Glazer - The Zone of Interest
5. JA Bayona - Society of the Snow

SCREENWRITER:

1. Celine Song - Past Lives
2. Andrew Haigh - All of Us Strangers
3. Saim Sadiq - Joyland
4. Molly Manning Walker - How to Have Sex
5. Greta Gerwig, Noah Baumbach - Barbie

ACTRESS:

1. Sandra Huller - ​​Anatomy of a Fall, The Zone of Interest
2. Emma Stone - Poor Things
3. Sydney Sweeney - Reality
4. Teyana Taylor - A Thousand and One
5. Lily Gladstone - Killers of the Flower Moon

ACTOR:

1. Ali Junejo - Joyland
2. Andrew Scott - All of Us Strangers
3. Cillian Murphy - Oppenheimer
4. Koji Yakusho - Perfect Days
5. Colman Domingo - Rustin, The Color Purple

SUPPORTING ACTRESS:

1. Da'Vine Joy Randolph - The Holdovers, A Little White Lie, Rustin
2. Rosamund Pike - Saltburn
3. Danielle Brooks - The Color Purple
4. Jodie Foster - Nyad
5. Claire Foy - All of Us Strangers

SUPPORTING ACTOR:

1. Paul Mescal - All of Us Strangers, Foe, God's Creatures, Carmen
2. Robert Downey Jr - Oppenheimer
3. Mark Ruffalo - Poor Things
4. Alessandro Borghi - The Eight Mountains
5. Aaron Pierre - Brother, Foe

WORST FILM:

1. Expend4bles (Scott Waugh)
2. Winnie-the-Pooh: Blood and Honey (Rhys Frake-Waterfield)
3. Hunt Club (Elizabeth Blake Thomas)
4. Haunted Mansion (Justin Simien)
5. Assassin Club (Camille Delamarre)

TV SERIES:

1. The Bear (FX)
2. Lessons in Chemistry (Apple)
3. Ted Lasso (Apple)
4. Dave (FX)
5. Succession (HBO)

POP SINGLE:

1. People Pleaser - Cat Burns
2. Flowers - Miley Cyrus
3. Heaven - Niall Horan
4. Padam Padam - Kylie
5. Chemical - Post Malone

C R I T I C A L  W E E K : 
Everything’s new

I've been in catch-up mode, but have limited my viewing, preferring to take a bit of time off for a change. Watching movies is work for me! But I caught up with Wim Wender's wonderful drama Perfect Days, a pointed observation about life through the eyes of a hugely likeable Japanese toilet cleaner. And then there was Franz Rogowski giving another staggering performance in the thoughtful French drama Disco Boy, Ferzan Ozpetek's nostalgic and involving personal drama Nuovo Olimpo, the familiar but effective immigrant romance Norwegian Dream and two very strong docs: Beyond Utopia, a riveting look at a pastor who helps people escape from the North Korea, and 20 Days in Mariupol, a devastating account of Russia's horrific siege on the Ukrainian port city.

This coming week I will continue catching up with films for voting purposes, because there are still a lot of those! New screenings kick off with Jodie Comer in The End We Start From.

LFF: Get some fresh air

The 67th London Film Festival is winding down, heading into its final weekend with a bunch of big titles still left to premiere. I've had a quieter festival than usual, avoiding press screenings to instead attend movies with the public, and often with the filmmakers on hand as well. The line-up is packed with very big films, and there are quite a few important ones that I haven't been able to see here, so I will have some catching up to do. Here are some more highlights...

The Zone of Interest
dir-scr Jonathan Glazer; with Christian Friedel, Sandra Huller 23/Pol ****.
Inventively recounting a devastating narrative, writer-director Jonathan Glazer skilfully puts the audience through a moral and emotional wringer. Unlike other Nazi death camp dramas, this film keeps much of the horror off-screen; what we see in our minds is even more powerful. This is expert filmmaking, shot with precision and accompanied by a ruthless sound mix and flat-out performances from Christian Friedel and Sandra Huller. It's absolutely unmissable.

In Camera
dir-scr Naqqash Khalid; with Nabhaan Rizwan, Amir El-Masry 23/UK ****
With its witty, observational approach, this British drama is a knowing exploration of a struggling actor's life. First-time writer-director Naqqash Khalid adeptly captures the soullessness that infuses the industry, which is especially felt by people of colour. The focussed, internalised tone is powerfully involving, leading the audience into intensely provocative places. This is bracingly ambitious filmmaking, performed with daring audacity by Nabhaan Rizwan. And it's often devastatingly sharp.

Samsara
dir Lois Patino; with Amid Keomany, Toumor Xiong 23/Sp ****
While this experimental film has a challenging story and themes, it's also breathtakingly original, shot gorgeously on grainy, colour-drenched 16mm film and packed with fascinating documentary details. Spanish filmmaker Lois Patino is exploring reincarnation, transitioning from rural Laos to the beaches of Tanzania by way of a 15-minute sound and light odyssey through the bardo. It's such a singularly audacious experience that it's worth seeing on the big screen.

The Delinquents 
[Los Delincuentes]
dir-scr Rodrigo Moreno; with Daniel Elias, Esteban Bigliardi 23/Arg ***.
While this film is far too long, including a myriad of unnecessary details, it's also sharply well-made and infused with a superbly dry sense of humour. Argentine writer-director Rodrigo Moreno beautifully captures the rhythms of everyday life, letting scenes play out and often meander off down a side road before eventually returning to the central narrative. And it's shot with a sunny vibe that nicely contrasts city and countryside.

20,000 Species of Bees [20.000 Especies de Abejas]
dir-scr Estibaliz Urresola Solaguren; with Sofia Otero, Patricia Lopez Arnaiz 23/Sp ***
From the Basque Country, this loose drama circles around an important issue with honesty and emotion. But writer-director Estibaliz Urresola Solaguren makes it difficult to engage with the characters. Not only are there too many ill-defined people on-screen, but the meandering structure never offers a way in. That said, the film looks beautiful, skilfully using the setting and culture. And the cast is excellent across the board.

Anselm 
dir Wim Wenders; with Anselm Kiefer, Daniel Kiefer 23/Ger ****
German maestro Wim Wenders composes an artfully lyrical 3D documentary about artist Anselm Kiefer. Instead of the usual biographical approach, this film traces Kiefer's artistic voice from childhood to the present in a swirl of memory, using locations and archival footage to contextualise drawings, paintings, sculptures, installations and performances. Watching it is a fascinating, moving experience, and it makes us feel that the whole world is a gallery.

All full festival reviews will be linked to Shadows' LFF PAGE >

Critical Week: Making Music

We're charging into both festival and awards seasons here in London at the moment, led by the London Film Festival and followed by a flurry of niche festivals over the coming months. And the movie awards season is already underway as my inbox fills with for-your-consideration emails. But this means I can finally start catching up on the year's high-profile movies. And with the writer's strike settled, we can hope the actor's reach an agreement soon so red carpets can get back to their former glitz. 

BEST OUT THIS WEEK:
The Old Oak • Flora and Son
The Exorcist: 50th Anniversary
PERHAPS AVOID:
The Plus One
The Re-Education of Molly Singer
ALL REVIEWS >

Films this week included John Carney's latest gorgeous music-infused Irish drama Flora and Son, starring Eve Hewson and Joseph Gordon-Levitt (above). I attended the very cool UK premiere of Gareth Edwards' The Creator, a hugely involving and expertly made sci-fi thriller with John David Washington and a wonderfully villainous Allison Janney. And Benicio Del Toro is excellent in the crime drama Reptile, an overlong plod livened up by strong performances. 

For the youngsters, there was a return to Robert Rodriguez's franchise with the enjoyably silly reboot Spy Kids: Armageddon and the animated adventure Paw Patrol: The Mighty Movie, which only very young viewers will love. There were two American comedies: The Plus One is a destination wedding comedy, while The Re-Education of Molly Singer is a back-to-university romp. Both have their moments, but aren't original or funny enough to stand out. 

I also attended the lively world premiere of I Am Urban, an authentically gritty 1990s-set British true-life drama that's more experimental than narratively engaging. This year's Palme d'Or winner Anatomy of a Fall is a riveting drama starring the magnificent Sandra Huller. The lovely Sundance award winner Smoke Sauna Sisterhood is a powerful doc featuring Estonian women ... naked. And finally there was the Kyiv City Ballet's Tribute to Peace at the Peacock Theatre.

This coming week looks just as busy, with the 50-years-later sequel The Exorcist: Believer, Emerald Fennell's Saltburn, David Fincher's The Killer, British comedy Mind-Set and acclaimed doc The Eternal Memory, plus even more as the 67th London Film Festival kicks off next Wednesday.