Secret Cinema presents Star Wars: The Empire Strikes Back hit London this past week, and looks set to be a box office presence until it winds up at the end of September. And rightly so: staged with a mind-boggling level of inventiveness, this is a staggering experience that lets the audience live the final sequences of
A New Hope (travelling to Mos Eisley, the rebel base and the Death Star itself) and then watch
The Empire Strikes Back as part of an epic six-hour evening.
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Other films screened to UK press this week include the gorgeously creative Brian Wilson biopic
Love & Mercy, starring John Cusack, Paul Dano and the great Elizabeth Banks; the corny farce
She's Funny That Way, starring Imogen Poots, Owen Wilson and Jennifer Aniston; and the arty, mannered character study
Manglehorn, starring Al Pacino. Further afield there were three uneven but promising low-budget dramas: American posh boys in
Those People, a working class British guy in
SoftLad, and three Sao Paulo teens in
Boys in Brazil.
There were also a few more documentaries.
Going Clear is a staggeringly strong doc about Scientology, taking only one side (no one else would talk) but still offering a rare glimpse into the workings of the mysterious religion.
The Yes Men Are Revolting furthers the activists' cause with more lively pranks, this time calling attention to the urgency of climate change. And the still ahead-of-its-time experimental 1929 Soviet classic
Man With a Movie Camera gets a digital restoration that reminds everyone why it's consistently named one of the 10 best films ever made.
This coming week I only have a couple of screenings before I take a week off, including the WW2 thriller
13 Minutes, the Brazilian drama
The Second Mother, the British indie thriller
51 Degrees North and the supernatural gay thriller
Angels With Tethered Wings.