On the Road: What's for dinner

I'm visiting family and friends in California for a couple of weeks, enjoying the bright sunshine and rather outrageous food. Yes, I went straight to In-n-Out from the airport, and have also had fish tacos most days. Plus an amazing brisket taco at the notorious Heritage Barbecue in San Juan Capistrano and a gorgeous short rib taco at personal favourite Amor y Tacos in Cerritos. And a church potluck. But it's not all about food. I finally saw a film in a cinema, plus catching up with a couple on the plane, and two more besides...

Killers of the Flower Moon
dir Martin Scorsese; with Leonardo DiCaprio, Robert De Niro 23/US *****
Martin Scorsese recounts a true story with a remarkable sense of scale, keeping events intimate while exploring the much larger issues and ramifications. It's a harrowing lesson in American history, highlighting the systemic injustice that peppers pretty much everything that happened once the Europeans claimed North America as their own. Expertly made on every level, the film never boils over, maintaining a riveting simmer of menace so urgent that we don't want to blink.

Moving On
dir-scr Paul Weitz; with Jane Fonda, Lily Tomlin 23/US ***. 

There's a surprising edge to this comedy-drama reuniting Jane Fonda and Lily Tomlin in more serious roles than usual. As they confront an awful event from their distant past, they also grapple with where they are now. It's nostalgic, but never overplayed, and writer-director Paul Weitz keeps the film truthful and smart, with occasional hints of a breezy caper that seems a bit out of place with dark theme at the story's centre. Thankfully, strong writing and characterisations add more nuance than expected.  

Full Time [À Plein Temps]
dir-scr Eric Gravel; with Laure Calamy, Anne Suarez 21/Fr ****
With a riveting central performance by Laure Calamy and a nonstop running pace, this French drama has an electric kick in its exploration of the hectic pace of modern life. Writer-director Eric Gravel keeps the audience right with this single mother as she navigates a series of personal and professional issues amid a calamitous national strike. It's sometimes exhausting to watch her flail against these obstacles, but her tenacity is inspiring, and the film includes sharp humour and honest emotion.

Before leaving London, I caught up with William Oldroyd's period-style melodrama Eileen with Thomasin McKenzie and Anne Hathaway, which is finely produced but oddly underwritten. And I also watched Luc Besson's spy thriller Anna, which I'd somehow missed when it was released. Although it's such a familiar plot, even with its plot fragmented into a choppy mess, that it can't help but cause deja vu. Fun turns from Helen Mirren (as a gruff Russkie), Luke Evans and Cillian Murphy.

This coming week, I'll catch up with a few films at AFI Fest in Hollywood, namely Kate Winslet in Lee, Pater Sarsgaard in Memory, JA Bayona's Society of the Snow, and the festival season favourites Evil Does Not Exist  and Io, Capitano.

Critical Week: Who runs the world

I've only had one actual press screening this week, which seems a bit odd with so many huge movies floating around that need to be seen (to be fair, I saw several of them in Venice). Instead, I managed to catch a special preview at my local Picturehouse of The Woman King, the heavily fictionalised historical epic starring Viola Davis as leader of a 19th century West African all-female army. Even if the film sidesteps some facts, it's a rousing movie that audiences should enjoy, especially with terrific performances from Davis, Lashana Lynch, John Boyega and Thuso Mbedu. And then there were George Clooney and Julia Roberts hamming it up in Ticket to Paradise, a comedy without many actual laughs. But when they're not goofing around, the stars find both chemistry and some surprising dramatic textures.

BEST OUT THIS WEEK:
Blonde • Athena • After Yang
Juniper • In Front of Your Face
ALL REVIEWS >

Smaller films this week included the quietly riveting Irish drama It Is In Us All, starring the superb Cosmo Jarvis; the pointed and perhaps a bit contrived New Zealand drama The Justice of Bunny King, anchored by another terrific performance from Essie Davis; Korean auteur Hong Sangsoo's involving, sensitive and unusually perceptive drama In Front of Your Face; and the warmly engaging doc A Bunch of Amateurs, about a 90-year-old movie-making club in the North of England.

Coming up this next week are Francois Ozon's new film Peter von Kant, the horror thriller Smile, the sci-fi thriller Control, the mystery thriller The Razing, the French drama Rodeo, the Icelandic drama Godland.

Critical Week: Beach weather

The heatwave continues to bake Britain, with the promise of thunderstorms to cool things off this weekend. Cinemas are open to full capacity, and their air conditioning is a great way to escape the stickiness. Although there's still a sense that people are looking to stay safe from this new surge in the pandemic. Critics have been wearing masks at screenings, including M Night Shyamalan's new thriller Old, starring Thomasin McKenzie, Alex Wolff and Gael Garcia Bernal. It's an enjoyably head-spinning freak-out. Matt Damon stars Stillwater, which recently screened at Cannes. It's a big movie, overlong and a bit contrived, but beautifully performed by Damon, Camille Cottin, Abigail Breslin and especially little scene-stealer Lilou Siauvaud.

BEST OUT THIS WEEK:
Night of the Kings • Kandisha
The Man With the Answers
PERHAPS AVOID:
Joe Bell
ALL REVIEWS >

Mark Wahlberg stars in Joe Bell, a solidly made true drama that kind of misses the central point of its homophobia theme. Nicolas Cage is terrific in the above-average offbeat drama Pig. Ben Platt and Lola Kirke are both strong in Broken Diamonds, a slightly too-gentle look at mental illness. The solid horror thriller The Boy Behind the Door has two excellent young teen stars and some properly nerve-jangling suspense. The Pebble and the Boy is a slightly awkward British road-trip drama infused with Mod culture. And the superb French thriller Kandisha puts a multi-cultural community at risk from a demon, while filling scenes with nuance.

Sundance Film Festival London returns to Picturehouse Central next week, and I have 12 in-person press screenings in the diary for that, plus Dwayne Johnson and Emily Blunt in Jungle Cruise, the drama Lorelei and horror The Offering.