Thursday, 29 October 2026

Critical Week: A fellow of infinite jest

It's been another busy week in the screening rooms, with a mix of current releases and awards contenders. One of the best was Elsinore, which stars Andrew Scott as actor Ian Charleson preparing to perform Hamlet at the National Theatre in 1989 while grappling with the effects of Aids. It's a powerfully involving film, and Scott is terrific. Robert Pattinson plays journalist Chris Hansen in Primetime, which chronicles his TV series To Catch a Predator. The subject matter is intense, but the film has a superbly unhinged energy that forces us to think more deeply.

BEST OUT THIS WEEK:
The Devils • Queen at Sea
Gentle Monster • Primetime
Everest: The Other Side
ALL REVIEWS >
Meanwhile, there was also the sunny and very goofy British comedy Blueberry Inn, starring Jack Davenport. The Indonesian prison thriller Ghost in the Cell is inventively packed with bonkers humour and nasty horror. And there were three docs: Making Marie Antoinette goes behind the scenes on Sofia Coppola's 2006 classic, directed with a personal eye by Sofia's mum Eleanor. Taking in both the majestic filmography and messy private life, Maverick: The Epic Adventures of David Lean is an entertaining slice of movie history. And Nuisance Bear skilfully uses an engaging polar bear to explore the legacy of commercialism and colonialism in Canada. I also attended a live performance of Pia at Milton Concert Hall.

Coming up this next week, I'll be watching Nicholas Galitzine in The Mosquito Bowl, Channing Tatum in Josephine, Chris Rock's Misty Green, Japanese sequel Godzilla Minus Zero, Czech thriller Manipulation, Mexican comedy-drama The Divine Tragedy, horror icon doc Barbara Forever, Ava DuVernay's doc 14th and a live performance of Germán Cornejo's Tango After Dark.


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