Thursday, 15 October 2026

Critical Week: Practice makes perfect

The 70th London Film Festival continues to play at venues around the city, and I caught up with four more films this week. Yes, I'm taking it a bit easy this year, simply for my mental health. That said, I've already seen 25 films, with more to come (reviews are linked HERE). It was especially fun to meet Pedro Pascal at the screening of Behemoth, a superbly delicate drama about a cellist working through his past. At the reception I also chatted with two of his seriously gifted collaborators on the film: writer-director Tony Gilroy and costar Eva Victor. Speaking of receptions, I got to chat with the talented cast and directors of both La Bola Negra (my favourite film so far this year, out this week in the US) and Possible Love (another fave) at Netflix's annual LFF brunch.

BEST OUT THIS WEEK:
La Bola Negra • Naza
Forgotten Island • Case 137
Musk • Hadestown: The Musical
ALL REVIEWS >
I also had a great chat with Incredibles director Brad Bird, then immediately headed to a screening of his newest movie Ray Gunn, a beautifully animated retro-futuristic noir mystery. After that, there was screening of Laika's magnificent stop-motion epic Wildwood, attended by director Travis Knight, voice actors Peyton Elizabeth Lee and Jacob Tremblay and great cinematographer Caleb Deschanel. The film is unmissable! And Sandra Huller gives yet another astonishingly nuanced performance in Pawel Pawlikowski's gorgeous Fatherland, a father-daughter road movie set in Germany just after the war. 

Outside the festival, I saw the frenetic action thriller Street Fighter, starring Noah Centineo, David Dastmalchian and a Hulked-up Jason Momoa. It's loud and chaotic, and very troubling thematically. But gamers might enjoy it. There were also live performances of the unauthorised parody Heated Rivalry and the celebratory dance Ballet Black at 25, plus a visit to the Design Museum to preview Laika's Wildwood Exhibition (see below).

Coming up this next week, I'll be watching Julianne Moore in LFF's closing night film The Debut, the comic book thriller Clayface, Clio Barnard's I See Building Fall Like Lightning, John Hannah in Bad Day at the Office, Australian drama Sweet Milk Lake, the restored version of Ken Russell's The Devils on the big screen and a live performance of Tellus at Sadler's Wells East.


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