Showing posts with label anomalisa. Show all posts
Showing posts with label anomalisa. Show all posts

Thursday, 31 December 2015

35th Shadows Awards: Happy New Year!

There were two films this year that got deep under my skin, and ultimately it was Charlie Kaufman's extraordinary Anomalisa that demanded the top spot on my best of the year list, with Andrew Haigh's 45 Years in close second. (Note that Anomalisa doesn't come out in the UK until March, so won't feature in British awards until next year.) Here are my top picks in the main categories, and as usual there are full top 10s and a lot more on the site...

BEST FILMS
  1. Anomalisa (Charlie Kaufman)
  2. 45 Years (Andrew Haigh)
  3. Room (Lenny Abrahamson)
  4. Tangerine (Sean Baker)
  5. Carol (Todd Haynes)
  6. Spotlight (Tom McCarthy)
  7. Star Wars: The Force Awakens (JJ Abrams)
  8. A Girl Walks Home Alone at Night (Ana Lily Amirpour)
  9. The Salt of the Earth (Wim Wenders, Juliano Ribeiro Salgado)
  10. The Tribe (Miroslav Slaboshpitsky)

DIRECTOR 
Andrew Haigh (45 Years)

WRITER 
Aaron Sorkin (Steve Jobs)

ACTRESS
Charlotte Rampling (45 Years)

ACTOR
Alfredo Castro (From Afar, The Club)

SUPPORTING ACTRESS
Elizabeth Banks (Love & Mercy, Pitch Perfect 2, Magic Mike XXL, Mockingjay Part 2)

SUPPORTING ACTOR
Oscar Isaac (Ex Machina, Star Wars: The Force Awakens)

WORST FILMS
  1. Absolutely Anything (Terry Jones)
  2. Unfinished Business (Ken Scott)
  3. Pixels (Chris Columbus)
  4. The Gallows (Travis Cluff, Chris Lofing)
  5. Accidental Love (Stephen Greene)
  6. The Cobbler (Tom McCarthy)
  7. Ratter (Branden Kramer)
  8. The Visit (M Night Shyamalan)
  9. The Scorch Trials (Wes Ball)
  10. Buttercup Bill (Emilie Richard-Froozan, Remy Bennett)


Tuesday, 8 December 2015

Critical Week: A time for reflection

Press screenings always go slightly bonkers at this time of year as critics try desperately to catch up with everything before casting votes in year-end awards. I vote in three awards - the Online Film Critics Society released its nominees this week (the nominations deadline was last Saturday), the London Critics' Circle Film Awards (of which I'm the chair again) has its nominations deadline this Friday, and Galeca's Dorian Awards nominations are due next month. Anyway, in this flurry of screenings, I've seen what just might end up as my favourite film of the year, Charlie Kaufman's Anomalisa, an inventively animated and staggeringly personal exploration of self-image and human interaction.

Other awards screenings included The Revenant, Alejandro Inarritu's bravura and thoroughly harrowing survival tale starring Leonardo Di Caprio; Joy, the nutty and rather wonderful biopic reuniting Jennifer Lawrence, Bradley Cooper, Robert De Niro and writer-director David O Russell; and The Danish Girl, a rather too-pretty biopic but strongly pointed starring the excellent Eddie Redmayne and Alicia Vikander.

Regular releases screened this week included Tina Fey and Amy Poehler's goofy comedy Sisters, Brad and Angelina Jolie Pitt's handsome but stilted drama By the Sea, Jackie Chan and John Cusack's splintered Chinese action epic Dragon Blade, the charming British holiday romance Sparks and Embers, the rightly acclaimed Everest doc Sherpa,  the introspective American indie drama The Surface, and the offbeat Italian micro-budget drama Water Boys. I also took the time to delight in the starry joys of Sofia Coppola and Bill Murray's holiday extravaganza A Very Murray Christmas.

This coming week, the only movie anyone is talking about is Star Wars: The Force Awakens, which I'll get to see on Tuesday the 15th, a couple of days before it opens. Also screening: Ron Howard's seafaring epic In the Heart of the Sea, the British Winter Olympics biopic Eddie the Eagle, Mark Wahlberg and Will Ferrell squaring off in Daddy's Home, and Stephen Dorff in American Hero.