Critical Week: Where the buffalo roam

As a heatwave sets in around Britain, creating our hottest week of the year so far (in September!), audiences are likely to avoid cinemas in lieu of parks and beaches. So box office data is likely to disappoint come Monday. But there's plenty to see, including one of my very best films of the year, Past Lives. Meanwhile, I finally caught up with Riley Keough and Gina Gammell's award-winning debut War Pony, a strikingly authentic and pointed Native American drama. Nia Vardalos and family are back for My Big Fat Greek Wedding 3, another charming mess of a movie that wins us over despite ourselves. And Richard E Grant, Julie Delpy and Daryl McCormack have a lot of fun with the arch melodrama of The Lesson, an overwrought thriller that doesn't quite hold water but keeps us entertained.

BEST OUT THIS WEEK:
Past Lives • La Ronde
Rotting in the Sun
REVIEWS >

A bit further afield, Carol Morley is back with a bracingly original look at mental illness in Typist Artist Pirate King, which traces an adventurous road trip with under-appreciated British artist Audrey Amiss, powerfully played by Monica Dolan. Rotting in the Sun is a smart and provocatively original mashup of mystery, drama and crime comedy from Sebastian Silva. The British doc A Life on the Farm highlights a true eccentric who made hilariously nutty home movies. And the Australian series (released as a compilation) Single, Out is charmingly awkward as it follows a young guy navigating gay life. I also attended Alvin Ailey American Dance Theatre at 65 at Sadler's Wells.

This coming week I'll be watching Pablo Larrain's bonkers Pinochet vampire thriller El Conde, Kenneth Branagh's whodunit A Haunting in Venice, British battle epic Gurkha Warrior, Canadian immigration drama Brother, animated adventure Robot Dreams, Spanish drama 20,000 Species of Bees, Laotian monks drama Samsara, Santana doc Carlos, Anselm Kiefer doc Anselm and live shows Deeper and Deeper and Myra Dubois: Be Well.

Sundance London: Keep dancing

Sundance Film Festival: London is back in its usual slot this year, after two disrupted editions. This is a slightly odd festival for the press, as they pack all of the industry screenings into two days before the actual events kick off. Which leaves us feeling like we're finished before anything begins. So I've already seen 10 of the 13 films in the programme, and I'll be catching a couple more at public screenings with cast and crew members in attendance at Picturehouse Central. The actors and filmmakers turned up last night for the opening film Good Luck to You, Leo Grande. Here are comments about that one, and a few others, plus my usual Critical Week below... 

Good Luck to You, Leo Grande
dir Sophie Hyde; with Emma Thompson, Daryl McCormack 22/UK ****
If you can get into this film's theatrical vibe, there are several very strong themes woven through the narrative that make it deeply involving. Essentially three scenes featuring two people in a room, the stagey set-up is echoed in the heightened dialog, which pointedly takes on several big issues. The observations are insightful and sharply important, as are the bravely transparent performances from the two lead actors.

Watcher 
dir-scr Chloe Okuno; with Maika Monroe, Karl Glusman 22/Rom ***.
Writer-director Chloe Okuno creates a superbly unsettling atmosphere in this quietly suspenseful thriller about an American in Romania. The film knowingly plays on the feeling of being a foreigner unable to communicate in an unknown place, while generating scares by twisting a range of cinematic cliches in intriguing directions. It's a shame there's not much more to the film, but it definitely gets our hearts pumping a bit faster.

Free Chol Soo Lee
dir Julie Ha, Eugene Yi; with Chol Soo Lee, KW Lee 22/US  ***.
While this documentary traces a true story in a rather straightforward manner, the important subject matter makes it worth a look. Chol Soo Lee's experience was shocking and sad, but also carries elements of redemption and complex humanity. And it highlights a rarely explored aspect of underlying racism in the American justice system. These ideas emerge strongly, even as the filmmakers remain more focussed on the compelling personal narrative.

We Met in Virtual Reality
dir-scr Joe Hunting; with Jenny, Dust Bunny, IsYourBoi, Toaster 22/UK ***
This extraordinary documentary was somehow shot virtually, as filmmaker Joe Hunting takes the audience into various digital environments to meet people who interact there. It's an extraordinary film, and remarkably personal as it hones in on relationships within VR communities, often spilling out into the real world as well. It's a great introduction to a virtual world, although newcomers may find it tricky to engage with the film's perspective.

Full reviews will be on the site soon. For more information, visit SUNDANCE LONDON >

~~~~~~~ ~~ ~~~ ~~~~
C R I T I C A L    W E E K

BEST OUT THIS WEEK:
Listen • All My Friends Hate Me
Il Buco • Moneyboys • Swan Song
ALL REVIEWS >

I've only seen four non-Sundance films in the past week - and each is opening this week in the US or UK. I was unable to attend the single press screening of Jurassic World: Dominion, so caught up with it at a local cinema. It's funny, thrilling and packed with witty nods in various directions, a superb summer blockbuster. The award-winning Italian drama Il Buco is a masterfully assembled exploration of historical progress; the doc A Sexplanation is a witty look at why Americans are so obsessed with sex, and also afraid of it; and Baloney documents rehearsals and performances of a San Francisco queer burlesque with warmth and insight.

Aside from Sundance, this coming week I'll be watching the Pixar prequel Lightyear, Antonio Banderas and Penelope Cruz in Official Competition, Ethan Hawke in the horror thriller The Black Phone, the British drama It Snows in Benidorm, the restored Satyajit Ray classic The Big City and the theatrical version of the doc George Michael: Freedom Uncut.