Critical Week: Where the buffalo roam

As a heatwave sets in around Britain, creating our hottest week of the year so far (in September!), audiences are likely to avoid cinemas in lieu of parks and beaches. So box office data is likely to disappoint come Monday. But there's plenty to see, including one of my very best films of the year, Past Lives. Meanwhile, I finally caught up with Riley Keough and Gina Gammell's award-winning debut War Pony, a strikingly authentic and pointed Native American drama. Nia Vardalos and family are back for My Big Fat Greek Wedding 3, another charming mess of a movie that wins us over despite ourselves. And Richard E Grant, Julie Delpy and Daryl McCormack have a lot of fun with the arch melodrama of The Lesson, an overwrought thriller that doesn't quite hold water but keeps us entertained.

BEST OUT THIS WEEK:
Past Lives • La Ronde
Rotting in the Sun
REVIEWS >

A bit further afield, Carol Morley is back with a bracingly original look at mental illness in Typist Artist Pirate King, which traces an adventurous road trip with under-appreciated British artist Audrey Amiss, powerfully played by Monica Dolan. Rotting in the Sun is a smart and provocatively original mashup of mystery, drama and crime comedy from Sebastian Silva. The British doc A Life on the Farm highlights a true eccentric who made hilariously nutty home movies. And the Australian series (released as a compilation) Single, Out is charmingly awkward as it follows a young guy navigating gay life. I also attended Alvin Ailey American Dance Theatre at 65 at Sadler's Wells.

This coming week I'll be watching Pablo Larrain's bonkers Pinochet vampire thriller El Conde, Kenneth Branagh's whodunit A Haunting in Venice, British battle epic Gurkha Warrior, Canadian immigration drama Brother, animated adventure Robot Dreams, Spanish drama 20,000 Species of Bees, Laotian monks drama Samsara, Santana doc Carlos, Anselm Kiefer doc Anselm and live shows Deeper and Deeper and Myra Dubois: Be Well.

30th Flare: Reaching out

The 30th BFI Flare: London LGBT Film Festival had a great weekend of screenings - it's an unusually strong programme this year, with beefy films that tackle big issues in inventive ways. For some reason, I haven't managed yet to attend a festival party since the opening night, but I'm hoping to rectify this over the next few days and the coming weekend. Here are some more highlights...

Nasty Baby 
dir Sebastian Silva; with Sebastian Silva (pictured above), Kristen Wiig 15/US *** 
Meandering through a series of messy events in the lives of a group of hapless people in Brooklyn, this film has a gripping authenticity to it that's both engaging and knowing. And then a momentous plot point kicks in, suddenly making it feel utterly fictitious as the characters suddenly become very different people. This is probably actor-filmmaker Sebastian Silva's point, but it's seriously jarring.

4th Man Out 
dir Andrew Nackman; with Evan Todd, Parker Young 15/US ****
With a very clever script, this is much more than the usual coming out comedy, as its focus is on the way a group of friends are forced to redefine their friendships when one of them reveals that he's gay. Intriguingly, the film is much more about how the straight world copes with homosexuality than the other way round. Which makes it both important and hilarious.

Beautiful Something 
dir Joseph Graham; with Brian Sheppard, Zack Ryan 15/US ***. 
Strikingly introspective and honest, this multi-strand drama is set amongst gay artists from various strata of society. Writer-director Joseph Graham invests the film with a poetic sensibility that taps in to deep feelings that will resonate with anyone in the audience. Although the structure feels artificial, the emotions are honest.

Theo and Hugo [Theo et Hugo Dans le Meme Bateau] 
dir Olivier Ducastel, Jacques Martineau; with Geoffrey Couet, Francois Nambot 16/Fr ****. 
With striking honesty, this lovely Before Sunrise-style romance is bold and unflinching in the way it approaches the drama around the moment when two young men meet. As the events unfold in real time in the early morning, filmmakers Olivier Ducastel and Jacques Martineau and actors Geoffrey Couet and Francois Nambot take a refreshingly realistic approach to some very big issues.

Women He's Undressed 
dir Gillian Armstrong; with Darren Gilshenan, Jane Fonda 15/Aus **.
This rather indulgent hybrid biopic/documentary is tagged as the story of someone "nobody has ever heard of". But triple Oscar winner Orry-Kelly is one of the greatest costume designers of all time. With some 300 films to his credit, he certainly made Hollywood's greatest actresses look fabulous. Although his personal life remains something of a mystery.

Critical Week: Lost in La La Land

I had never seen Beyond the Valley of the Dolls, Russ Meyer's notorious 1970 romp that gets a special edition DVD release in the UK next week. So of course I had to sieze the chance to catch up with it ... and it's even more bonkers than I imagined. This is the raucous story of three young women who take their rock trio to Hollywood and fall in with all kinds of decadence, hedonism and wanton debauchery. Roger Ebert's script is so freeform that it feels like a spoof, especially with the hilariously moralistic epilogue. It's completely nuts. But also thoroughly groovy.

Also seen this week: Sebastian Silva's offbeat comedy-drama Nasty Baby, in which he stars with Kristen Wiig as best friends trying to conceive a child against the odds. It's strikingly well made, but the plot points are a bit heavy-handed. Benicio Del Toro is superb in A Perfect Day, a comedy-drama set in the Balkans in 1995. The M.A.S.H.-like vibe works, and the cast is great, but it feels oddly superficial. And Mavis! is a documentary about Mavis Staples, whose 50-year-career has spanned just about every genre of American pop even as she continues to fill her songs with hopeful messages. Not particularly notable as a film, but she's amazing.

This coming week we have screenings of the Casey Affleck action thriller Triple 9, the Oscar Isaac thriller Mojave, the Tim Roth drama Chronic, the Juliet Stevenson drama Departure, the Brazilian drama Aya Arcos and the adventure doc Meru.

And of course Sunday is the London Critics' Circle Film Awards at the May Fair Hotel - of which I am the chair - so organising the event is taking up most of my time this week. Watch this space for a full report and pics!