Critical Week: Say your prayers

As another heatwave settles in over London, I had two film-free days this week. First was the baseball event in Hyde Park (see the post below), and the other was the Critics' Circle annual summer party on the gorgeous roof terrace at Picturehouse Central. As for films, I really enjoyed Sofia Coppola's remake of The Beguiled, but then I love her loose filmmaking style and the way she lets her actors bring out unexpected depths of character. At the other end of the cinematic spectrum, the franchise continues with Cars 3, the fifth (don't forget the Planes movies) in the series about a world populated by vehicles but not humans. The set-up is just as odd, but the movie has an earthy simplicity to it.

Much more offbeat, Bong Joon Ho's Okja is a witty, involving action adventure with very dark themes about globalisation and sharp performances from Tilda Swinton (times two), Jake Gyllenhaal and Paul Dano. Also worth a look is It Comes at Night, an inventively complex horror movie starring Joel Edgerton. It's set after some kind of undefined apocalypse but heavily reminiscent of the world today. Hickok is a cheesy Western tracing the story of the iconic historical figure, nicely played by a beefy Luke Hemsworth. And Do You Take This Man is another thoughtful drama starring Anthony Rapp, set around a pre-wedding dinner at which the usual personal issues are brought to the surface.

This coming week, screenings include Terrence Malick's Song to Song, Sally Hawkins and Ethan Hawke in Maudie, the Aussie sequel A Few Less Men, the horror thriller Killing Ground and the fact-based drama Dark Night.

Critical Week: Don't read that book!

The week's biggest screening was Evil Dead, a remake of Sam Raimi's 1981 classic about a group of young people who find a sinister book in a cabin in the woods and unleash all sorts of nasty horror. This version has some very nice touches, and gore-hounds will absolutely adore it. We also caught up with Danny Boyle's twisty, gleaming, enjoyably over-complicated hypnosis thriller Trance, starring James McAvoy; Jason Bateman and Melissa McCarthy in the amusing but pointlessly overcomplicated comedy Identity Thief; Bryan Singer's epic-sized fairy tale action movie Jack the Giant Slayer, in which a lively cast rescues us from digital overload; and Jim Sturgess and Kirstin Dunst in the fantasy-romance Upside Down, which is strong on ideas but short on logic and story.

A bit further off the beaten path were Bernardo Bertolucci's perceptive and remarkably youthful Italian drama Me and You; the astonishing, essential British doc We Went to War, which catches up with Vietnam veterans after filmmaker Michael Grigsby (who sadly died last week) first documented them in 1970; and an intriguing but annoyingly indulgent French actor-director encounter in Unfaithful.

This coming week we have the action sequel G.I. Joe: Retaliation, the comedy 21 and Over, Gemma Arterton and Saoirse Ronan in Byzantium, Eric Bana and Olivia WIlde in Deadfall, the American indie Four and the Filipino-Malaysian drama Bwakaw.