Showing posts with label pamela anderson. Show all posts
Showing posts with label pamela anderson. Show all posts

Wednesday, 9 September 2026

Venezia83: Family matters

Rainclouds appeared over the 83rd Venice Film Festival for the first time today, accompanied by rolling thunder and some showers. So the red carpets have been a bit on the soggy side for the world premieres on Wednesday. Here are notes on five of today's films... 

The Fire Within You [Il Fuoco che Ti Porti Dentro]
dir Edoardo De Angelis; with Elena Radonicich, Vanessa Scalera 26/It ***.
So full-on that it's exhausting from the first frame, this Neapolitan family drama bristles with abrasive rants so vicious that it seems impossible that there's actual love among these people. Director Edoardo De Angelis shoots it largely in handheld closeup, so the film also feels harshly claustrophobic. But it's finely acted and full of powerful moments. And thankfully there are some quieter interludes as well. 

Place to Be
dir Kornel Mundruczo; with Ellen Burstyn, Taika Waititi 26/Aus ***.
Unlikely to ruffle any feathers, this bright and easy comedy-drama follows an elderly woman as she takes a stand against giving up her independence. It helps hugely that she's played by the radiantly gifted Ellen Burstyn, because the film's plot is fairly simplistic, and it doesn't seem to have a clue where it's headed. Filming in Australia, Hungarian director Kornel Mundruczo keeps everything sunny and amusing.

Dau
dir-scr Ilya Khrzhanovsky; with Teodor Currentzis, Radmila Shchogolieva 26/Ger ****
Russian director Ilya Khrzhanovsky has spent two decades making this unruly, wildly entertaining epic, which spans the 20th century through the eyes of a theoretical physicist. This is one of the most dazzling pieces of cinema in recent memory, with a scale that's beyond comparison. It also helps that the intricacies of the story are riveting, and the themes that run through each scene are urgent and powerful.

A Good Little Soldier
dir Stephane Brize; with Alba Rohrwacher, Vincent Lindon 26/Fr ****.
Fiendishly clever, this bracingly kinetic comedy-drama has echoes of The Office with its often hilariously absurd depiction of corporate culture. But underneath that, director Stephane Brize carefully weaves a lacerating attack on current global politics, in which yes-men play power games with what they know is right or wrong. So while the film is very funny, it's also sometimes staggeringly painful to watch.

Guria
dir Levan Koguashvili; with Kakhaber Tcholadze, Vamekh Jangidze 26/Geo ****
Shot in a black-and-white style that looks timeless, this wry comedy-drama from Georgia is set in the messy years following the breakup of the Soviet Union, during which the nation suffered through years of political and military violence. With that in the distant background, director-cowriter Levan Koguashvili takes a slice-of-life approach in the rural Guria region, honing in on a lively community and a key friendship.

Full reviews will be linked to Shadows' VENICE FILM FEST PAGE >


Thursday, 24 July 2025

Critical Week: Sucker punch

There were three big movies screened to critics this week. Liam Neeson takes on the lead role (as the son of Leslie Nielsen's iconic character) for the reboot/sequel The Naked Gun, which is flat-out hilarious. And as wonderfully stupid as we hoped it would be. Pedro Pascal leads the action reboot The Fantastic Four: First Steps, alongside Vanessa Kirby, Joseph Quinn and Ebon Moss-Bacharach. Groovy visual stylings and superbly character-rooted comedy make it thoroughly engaging. And Sam Rockwell is back for the animated sequel The Bad Guys 2, which is just as funny and action-packed as the first movie. With some terrific new characters and bigger set-pieces. 

BEST OUT THIS WEEK:
Dying • The Bad Guys 2
The Fantastic Four: First Steps
ALL REVIEWS >
Further afield, Fiona Shaw and Katherine Waterston are as good as expected in the mother-daughter drama Park Avenue, which is involving but elusive. Even more the evasive, Gazer is a stylised mystery thriller that intrigues but never quite pays off. Slovenian drama Little Trouble Girls is also somewhat slippery in its coming-of-age story about a teen choirgirl. 

Much more gripping is Love, the second chapter in the Oslo Stories Trilogy, which features fascinating characters on offbeat journeys. I also loved watching the 100-year restoration of Eisenstein's silent masterpiece Battleship Potemkin, with a new score by the Pet Shop Boys. I'd never seen it on a big screen, and it looks and sounds gorgeous. It also feels thoroughly modern. Finally, I attended a special 3D premiere of the new trailer for Avatar: Fire and Ash, which looks properly epic. The film itself comes out in December.

This coming week I'll be watching the horror thriller Bring Her Back, British road movie The Ceremony, Dutch coming-of-age drama Young Hearts, the final chapter of the Oslo Stories Trilogy, Sex, and the Ukrainian documentary 2000 Meters to Andriivka. I'll also attend the premiere of the second season of the Netflix show Wednesday.