Any Attempt Will End in Crushed Bodies and Shattered Bones
choreography Jan Martens
dancers Ty Boomershine, Truus Bronkhorst, Jim Buskens, Zoë Chungong, Piet Defrancq, Naomi Gibson, Kimmy Ligtvoet, Cherish Menzo, Steven Michel, Gesine Moog, Dan Mussett, Wolf Overmeire, Tim Persent, Courtney May Robertson, Laura Vanborm, Loeka Willems
lighting Jan Fedinger
costumes Cédric Charlier
Sadler's Wells, London • 24-25.May.22
An ensemble of 17 performers takes to the empty stage on their own terms, either alone or in groups, each creating an individual character with his or her own movements, costumes, attitude and story. Martens' bracingly kinetic choreography creates an uncanny effect: as if the music is emerging from the dancers instead of them performing to it. The score comes from Henryk Górecki's pulsating Concerto Pour Clavecin et Cordes Op 40, plus jazz from Abbey Lincoln and Max Roach, and spoken word elements by Kae Tempest.
The show's title comes from a statement made by China's President Xi Jinping about Hong Kong protesters in 2019, and Martens has woven these activists' gestures into the choreography. This combination of street movement, modern dance and ballet is often breathtaking to watch, as the patterns ripple and move around the stage to echo human resilience and vulnerability. A section in which vile social media trolling comments flash across the screen adds a dark edge to the performance. This is a haunting, urgent comment on protests around the world today from Black Lives Matter to climate change and the economic crisis.