After a film festival, I enjoy things quieting down a bit. But we're now in awards season, which means that the for your consideration screenings have started up. At least this means that movies are generally of a much higher quality than usual. So it's the weekly releases that bring us back to earth and remind us what the public is more used to watching than fabulous foreign masterpieces. Speaking of which, I watched Pedro Almodovar's latest festival darling
Parallel Mothers, a glorious melodrama about mothers and daughters that has witty and darkly emotional elements, plus a hint of Hitchcockian intensity. And at the centre, Penelope Cruz is fantastic.
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BEST OUT THIS WEEK: Mothering Sunday • Belfast Keyboard Fantasies PERHAPS AVOID: Cry Macho • Red Notice ALL REVIEWS > |
I also enjoyed the retro joys of
Ghostbusters: Afterlife, a nearly 40-years-later sequel that includes cameos from the original cast alongside a likeable new ensemble led by Finn Wolfhard, Carrie Coon and the irresistible Paul Rudd. Ryan Reynolds and Dwayne Johnson are also fairly irresistible, but their new action comedy
Red Notice is so derivative and lazy that it's hard to like. Tom Hanks is as great as always in
Finch, a watchable post-apocalyptic drama that feels somewhat underpowered. And Clint Eastwood's waning steely charisma helps make
Cry Macho bearable because its script is frankly awful.
A bit off the beaten track, Joaquin Phoenix is relaxed, warm and wonderful opposite staggeringly gifted young newcomer Woody Norman in the gently comedy-drama C'mon C'mon. Richard Jenkins, Amy Schumer and Steven Yeun shine among the excellent six-person cast of The Humans, a stagey drama that roots around in the concept of being a family in America. And the engagingly bristling German drama Blurred Lines sends its two energetic teen protagonists on a momentous trip to Istanbul.
This coming week, I'll be watching Jessica Chastain in
The Eyes of Tammy Faye, Andrew Garfield in
Tick Tick Boom, Jonathan Rhys Meyers in
Hide and Seek, Spanish romance
Isaac, Celine Sciamma's
Petit Maman and the doc
Kurt Vonnegut: Unstuck in Time.
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