Friday, 11 October 2019

London Film Fest: Hang on tight

As we roll into the final weekend of the 63rd London Film Festival, there are a lot of films to catch up with and not much time left. Today, two press screenings I wanted to get into were full, so I saw two alternate movies instead (the results were mixed). And the online links I have for watching other films simply won't stream. So maybe I'll get some free time this evening! Anyway, here are some highlights for Friday...

Ema
dir Pablo Larrain; with Mariana Di Girolamo, Gael Garcia Bernal 19/Chl ****
Deliberately messy, Pablo Larrain's Chilean drama challenges the audience to both take sides and admit that there may not be any sides to take. It's a riveting cinematic journey, packed with moments that are darkly chilling as well as sweetly moving. And even as it follows characters who largely behave like villains, the movie encourages the viewer to identify and sympathise with them, perhaps against our instincts. Not many films can make us think or feel this deeply.

First Love
dir Takashi Miike; with Masataka Kubota, Sakurako Konishi 19/Jpn ***.
It's difficult to imagine another filmmaker who could so effortlessly combine such a relentlessly nasty bloodbath with a warm romantic-comedy. But Takashi Miike makes it work in this bonkers thriller about a chaotic series of clashes between Japanese and Chinese mobsters, all while a sweet love story evolves in between the bullets and flashing swords. It's all a bit messy and frantic, with a lot of characters to keep straight, but it's also hilarious and involving.

Give Me Liberty
dir-scr Mikhanovsky; with Chris Galust, Lauren 'Lolo' Spencer 19/US 1h50 ***
This comedy has vivid characters and subject matter so strong that it becomes hugely important. But the filmmaking itself is exhausting, most notably because the script just won't stop piling chaos upon mayhem. It's definitely a case where less would have said more. But perhaps filmmaker Mikhanovsky does this deliberately, creating such an overwhelming series of events that it can't help but snap viewers out of any complacency.

Burning Cane
dir-scr Phillip Youmans; with Wendell Pierce, Karen Kaia Livers19/US 1h17 **
Clearly a fan of Terrence Malick, writer-director Phillip Youmans began making this drama while he was still in high school. And while the themes and characters show maturity and find some resonance, the film itself never quite comes together. Shot by Youmans himself in deep, impenetrable shadows and edited impressionistically, there are moments of beauty even as scenes drift along, just out of reach of the audience. But the tone is overserious and rather pretentious.

Rare Beasts
dir-scr Billie Piper; with Billie Piper, Leo Bill 19/UK **
Actress Billie Piper turns writer and director for this British drama, which inventively plays with the usual tropes of the romantic-comedy as it spins a complex story. Although ultimately it collapses under the weight of its ambitious approach. Still, it's skilfully shot, and the cast is particularly strong in an intriguing range of playful twists on stereotypes. And the film also carries a solid message about female empowerment, even if it's delivered somewhat awkwardly.

Links:
Shadows LONDON FILM FEST homepage (full reviews will be linked here) 
Official LONDON FILM FEST site 


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